(Müller Péter Sziámi, Kirschner Péter) ...AND FRIENDS

First of all, fairy tales are very cruel. Life itself is cruel and fairy tales represent the initiation into the adult world. It can be different but the seekers must go through certain blood rituals. These rituals mean that you have to go through something, to make your feet bleed, you have to know or at least have to guess, you must have someone who will help you find. So, Mr. Venture is somebody very important as far as fairy tales are concerned, and that Mr. … likes to be the cause of horror and fear. There is nothing God-like in fairy tales, only something magical. Sometimes, it is not those with the head start who end up as winners, but those with the miracle. That's why there’s an artist in this play. She possesses the miracle inside herself. Beside being a miracle, she is also a monster. It means, however, that it’s not a fairy tale but a fairy tale that ate itself, biting it’s own tale on some bloody carousel. Also, fairy tales are natural. They are psychological, they have all the basic colors and relationships. They are sensual. The best fairy tales have no edification. That’s why they have no use in comforting, but they are supposed to thrill and strengthen. And they prepare for death. Only the monsters and artists stay alive, and we tell stories about them, and fear them too. They are physiological, they have all the basic colors and bares relationships. They are sensual. The best fairy tales have no edification. That’s why they have no use in comforting, but they are supposed to thrill and strengthen. And they prepare for death. Only the monsters and artists stay alive, and we tell stories about them, and fear them too.